Good Morning

お早よう

19591h 34m Directed by Yasujirō Ozu
7.7
(299 votes)
ComedyFamilyDrama

Overview

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Good Morning

A Gentle Satire of Postwar Japan: Unpacking the Charm of "Good Morning"

Noura Haddad
Noura HaddadSep 14, 2025
Yasujiro Ozu's "Good Morning" is a delightful and nuanced comedy that explores the intricacies of intergenerational relationships in postwar Japan, weaving a rich tapestry of family dynamics, social commentary, and subtle humor. The film tells the story of two young boys who embark on a silent protest against their parents, refusing to speak until they acquiesce to their demands for a television set. On the surface, this premise may seem simplistic, but Ozu masterfully uses it as a lens to examine the complexities of Japanese society during this period, gently satirizing the emerging consumerist culture and the ways in which it affects family relationships.\n

One of the standout aspects of "Good Morning" is its thoughtful pacing and nuanced character development. Ozu takes his time to establish the rhythms of family life, allowing the audience to become fully immersed in the world of the film. The characters are multidimensional and relatable, with the two young boys at the center of the story serving as a clever foil to the adult world. Through their eyes, Ozu mocks the foibles and hypocrisies of the grown-ups, revealing the subtle absurdities of everyday life in a rapidly changing Japan. The film's use of color is also noteworthy, with Ozu employing a vibrant palette to bring the suburban landscape to life and underscore the themes of modernity and consumerism.\n

Despite its lighthearted tone, "Good Morning" is a film that rewards close attention and reflection. Beneath its charming surface, Ozu is grappling with profound questions about the nature of family, community, and social change. The film's portrayal of postwar Japan is both nostalgic and unsentimental, capturing the contradictions and challenges of a society in transition. While some viewers may find the pacing a touch slow or the humor too subtle, "Good Morning" is a film that will resonate with anyone interested in Japanese cinema, family dramas, or thoughtful comedies. With its rich characters, nuanced themes, and stunning visuals, "Good Morning" is a must-see for fans of Ozu and a great introduction to his work for newcomers.

CAST

Keiji Sada
Keiji Sada
Heiichiro Fukui
Yoshiko Kuga
Yoshiko Kuga
Setsuko Arita
Chishū Ryū
Chishū Ryū
Keitaro Hayashi
Kuniko Miyake
Kuniko Miyake
Tamiko Hayashi
Haruko Sugimura
Haruko Sugimura
Kikue Haraguchi
Kōji Shitara
Kōji Shitara
Minoru Hayashi
Masahiko Shimazu
Masahiko Shimazu
Isamu Hayashi
Kyōko Izumi
Kyōko Izumi
Midori Maruyama
Taiji Tonoyama
Taiji Tonoyama
Pushy Man
Toyo Takahashi
Toyo Takahashi
Shige Okubo

Trailer

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