Three Times
最好的時光
Overview
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A Timeless Tapestry of Love and Longing

The second segment, set in 1911, is a beautiful and contemplative tale of love and loss, told through a series of elegant and understated scenes. This section is shot in stunning black and white, which adds to the overall sense of nostalgia and timelessness. The chemistry between the leads is palpable, and their story is both deeply moving and profoundly sad. The final segment, set in 2005, is a more modern and experimental take on love and relationships, featuring a complex and often fraught dynamic between two former lovers. This section is notable for its use of handheld camera work and a more improvisational style, which adds to the overall sense of urgency and intensity.
One of the most striking aspects of "Three Times" is its use of recurring themes and motifs, which serve to tie the three segments together and create a sense of continuity and cohesion. The film's exploration of love, loss, and longing is both deeply personal and profoundly universal, and the characters' struggles and triumphs are deeply relatable. The cast is excellent, with Shu Qi and Chang Chen delivering standout performances in each of the three segments. The film's cinematography is also noteworthy, with each segment featuring a unique and beautifully realized visual style. Overall, "Three Times" is a must-see for fans of romantic drama and Taiwanese cinema, and its thoughtful and nuanced exploration of love and relationships makes it a compelling watch for anyone looking for a deeply moving and profoundly human film.
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