"Police, Adjective" is a thought-provoking and understated drama that delves into the mundane life of a police officer, Cristi, as he navigates the complexities of his job and the moral ambiguities that come with it. The film, set in the north-eastern city of Vasliu, follows Cristi as he goes undercover to trail a teenager, Victor, suspected of selling pot. On the surface, the plot may seem straightforward, but director Corneliu Porumboiu masterfully weaves a narrative that is both a commentary on the bureaucratic red tape of the Romanian police force and an exploration of the human condition.

The film's pacing is deliberate and measured, mirroring the slow and meticulous nature of Cristi's investigation. This approach may test the patience of some viewers, but it ultimately pays off as the audience is drawn into the minutiae of Cristi's daily routine and the moral dilemmas he faces. The cinematography is stark and unadorned, capturing the drabness of the city and the monotony of Cristi's work. The performances, particularly from Dragos Bucur as Cristi, are naturalistic and understated, adding to the overall sense of realism that pervades the film.

One of the standout aspects of "Police, Adjective" is its thoughtful exploration of language and its relationship to power and morality. The film's title, "Police, Adjective," refers to the grammatical concept of an adjective, which is used to describe or modify a noun. This theme is cleverly woven throughout the narrative, as Cristi grapples with the nuances of language and the ways in which it can be used to shape our perceptions of reality. The film's climax, which features a lengthy and fascinating discussion about the meaning of words, is both a highlight of the movie and a testament to Porumboiu's intellectual curiosity. Overall, "Police, Adjective" is a film that will appeal to viewers who appreciate nuanced, thought-provoking cinema and are willing to engage with a slow-burning narrative that rewards patience and attention.